Friday, June 6, 2014

it isn't only crocodiles that cry, part 6: the fernwoods at home

original story by horace p sternwall

originally appeared in the may-june 1945 through the jan-feb 1946 issues of throat grabbing tales

adapted for the 21st-century by chuck leary and roger "peg leg" wilson

illustrated by konrad kraus and danny delacroix

part six of thirteen

to begin at the beginning, click here

for previous episode, click here







there was nothing good on television.

mr fernwood was restless.

he got up and looked out the window.

he looked five stories down into an alley.

there was nothing good down there either.

he started pacing around the room, swinging his scrawny arms back and forth across his chest.

"what the fuck are you doing?" mrs fernwood asked him without taking her eyes off the tube.


"i'm restless. i can't help it."

"help it. sit down and watch the tv, that's what it's here for."

"there's nothing good on."

"how do you know if you don't sit down and watch it? just sit down - unless you'd rather go out and try to make some money."

"it's too hot out."

"not as hot as it was."

"it's still hot. i'm not as young as i used to be."

"don't fucking start. just sit down."


with a sigh, mr fernwood sat down on a tiny couch beside the only window. if he leaned back against the wall he had to swivel his head around to see the screen.

mrs fernwood was sitting in a big broken-down easy chair just a few feet in front of the tv. she was smoking unfiltered cigarettes and an overflowing old fashioned glass ashtray rested precariously on one arm of the chair.

"what is this shit anyway?" mr fernwood asked.

"it's a show, what did you think it was?"

"i mean i've been watching this and i can't figure out what it's supposed to be."


"it's a show."

"but what kind of show? is it a news show, a comedy, a reality show, is it like the history channel, or american idol or what? are they selling stuff like shopping channel? i can't figure it out."

"i don't know, just watch it."

"are you changing the channels? so fast i can't even tell?"

mrs fernwood laughed. "i could be, but i'm not. i'm just watching this. ha ha ha, that was funny."

"what was funny? i must have missed it."

"the fat guy with the glasses just got disrespected by the impersonator with the big wig. they're gone now,"

"now this lady is selling something."

"probably."


"back in the old days, you knew what kind of a show you were watching. the news was the news, bonanza was bonanza, the dean martin show was the dean martin show, like that."

"it's a show you can just shut your fucking mouth and watch, o k?"

"i wish i had some money so i could go buy some dope."

"go out and make some fucking money, big shot."

"i don't have any energy."

"you were preaching the word to that punk detective the other night. about having to be tough and taking pride in your work and how the younger generation didn't have what it took."


"i'm not the younger generation."

"you got that right." mrs fernwood had not taken her eyes off the screen throughout the whole conversation.

"speaking of our friend the detective, was it really such a great idea to promise him ten whole dollars to just to bump off doreen?"

"doreen said bad things about me. about both of us actually but you're such a sorry sack of shit you don't care. but i care. doreen has to die."

"yes, but for ten dollars?"


"ten dollars? actually eight dollars." for the first time mrs fernwood looked away from the screen. "but you didn't think we were actually going to pay him, did you?"

"oh."

mrs fernwood laughed. "the great light dawns. sometimes i wonder about you, i really do." she turned back to the television.

mr fernwood sighed. he looked down at the floor. "still, i wish i had some money. i wish i could do anything except just sit here."

"i told you, don't start."


"you're always so negative. you didn't always used to be this way."

"don't - start."

"remember the old days, when i was frodo and you were blue star?"

"fuck you! what did i tell you! what did i tell you about talking about that shit! " mrs fernwood suddenly jumped up, somehow not knocking over the ashtray on the arm of the chair. "where's my ugly stick? it's been too long since i gave you a good whupping!"

mr fernwood watched her head for the closet and pull open the door. was she serious?

he decided not to find out. he slipped out the door to the hallway.


mr fernwood stopped a moment outside the door. he could hear mrs fernwood still shouting inside. it sounded like she might be breaking things - not that there was much to break. she wouldn't break the television.

the elevator was broken as usual, so he started down the dark stairwell.

maybe bunny or bobo would be sitting outside, and one of them would give him some dope - just a little teensy bit - on credit.

his credit should be good, but there was so little trust in the world these days. it was a shame.


he was in luck - bunny was sitting on the front steps, in his usual uniform of plain white t-shirt and baggy khaki shorts.

"philip, my brother, just the man i want to see."

"oh?" mr fernwood did not sit down beside bunny - who did not leave much room - but leaned against the iron stair rail and looked down the dark street. it looked deserted.

"how'd you like to be my pig?"

"your pig?"

"ha, ha, not what you're thinking. my guinea pig. how'd you like to test something out for me?"


"maybe. test what?"

"it's some new shit ernie the slime gave me. it's from africa or india or some place."

"bakersfield maybe?"

"who knows? anyway it's supposed to be really strong - might be the best thing you ever tried, or it might kill you, you know?"

"that wouldn't be nice."

"life is a gamble."

"i thought it was a struggle."


"it's a bit of both. do you want to try it or not?"

"but what is it - is it coke, heroin or what? do you smoke it?"

"it's just dope."

mr fernwood sighed. he supposed it was just dope like a tv show was just a show. not like the old days when a tv show was a sitcom or a western or the news, and dope was grass or acid or cocaine and not just "dope".

"do you shoot it?" he asked bunny. "i don't have any works."


bunny shrugged. "i suppose you could shoot it, but you might be better off snorting it or just licking it. it is used in very small doses. here, let me show you." bunny took a tiny glassine envelope out of his pocket and gave it to mr fernwood.

"it looks empty."

"no, there's a few grains in there. but it's powerful stuff, that's all you need."

mr fernwood held the envelope right up to his eyes in the dim light from the single bulb in the lobby behind him. he could make out a few grayish-white specks.

"so you want to try it?"


"i don't know - what will i owe you?"

"nothing, knucklehead! i'm just giving it to you to try it out."

"that's what i thought, i just wanted to make sure. all right, i'll try it. but - uh - i don't want to go back upstairs. the - uh - old lady is kind of in a bad mood."

"i understand. well, you don't want to try it sitting here. tell you what, why you go over to sis's place. just around the corner."

"i know where sis lives."

"cool. i'll give her a call, tell her you're coming." bunny took his phone out of his pocket.


"all right then." mr fernwood put the dope in his pocket and went down the stairs past bunny and headed for the corner.

"good luck!" bunny called after him.

mr fernwood waved without looking back. he wondered how much luck he would need.

did this stuff even have a name?

maybe it was nothing, and would have no effect at all.

maybe it would bring back the old days, when he was frodo and mrs fernwood was blue star…


part 7 : blue star and frodo in the valley of the shadow




Sunday, April 20, 2014

it isn't only crocodiles that cry, part 5: the old army game

original story by horace p sternwall

originally appeared in the may-june 1945 through the jan-feb 1946 issues of throat grabbing tales

adapted for the 21st-century by chuck leary and roger "peg leg" wilson

illustrated by konrad kraus and eddie el greco

part five of thirteen

to begin at the beginning, click here

for previous episode, click here







it was the year 30,673.

the human race was divided into twelve categories.

vampires

werewolves

zombies

serial killers

strippers

hookers

private detectives

lost girls

homicide detectives

homicide victims

trained deadly assassins

and tired old ex-cops who spent their days tracking cold cases.

sometimes the lines got blurred.

al avery was a tired old ex-cop working the coldest cases of all.

he was counting the nicks on the rim of his sixth styrofoam cup of cold coffee at burger king - the big burger king on the boulevard over by the park - when he looked up and saw a familiar face.

johnny raven. sitting by himself at a table beside the window and near the corner but not actually in the corner.

that miserable little punk johnny raven.


he had that guilty look about him.

in a world of guilty people johnny stood out with his guilty look like an alligator at a cat show.

al took his cup of coffee and went over and sat at johnny's table.

johnny didn't look surprised to see al. and he didn't look any more guilty than he already had because he couldn't look any more guilty than he already had.

"remember me?" al asked.

"i can't say that i do."

"johnny raven, right?"


"yeah."

al stared at johnny. johnny did not seem at all perturbed.

finally johnny said, " you recognized me , i didn't recognize you. it happens every day, don't it?"

"if you say so," al answered.

they stared into their respective beverages.

after a while al said, "recognize me yet?"

"no, and i'm not trying to."

"but you can't help it, can you, johnny? it's the old army game - the old army game where you hurry up and wait, but the wheel never stops spinning. in out, in out, you play the black and the red comes up.

you play the red and the black comes up. there's a man behind the wheel with no face, but you know who he is - he is your life, waiting for the wheel to stop spinning -"

"or stop talking."

"we never stop talking. it's what we do. talking to ourselves, if nobody wants to listen."


"so talk to yourself, pal, i ain't interested."

"not interested? in where i know you from?"

"no." johnny took his phone out and checked the time.

"going somewhere?" al asked.

"of course i'm going somewhere. what am i going to do, sit here forever?"

"forever's a long time."

"yeah, it is, ain't it?"

suddenly it hit johnny - this character might have been sent by the fernwoods to check up on him.

and that other geezer that braced him in front of doreen's apartment - colonel whatever - they might have sent him too.

but why? for the peanuts they were paying him, why would they go to so much trouble?

he was being paranoid. did he think the whole world was out to get him?

but of course the whole world was out to get him.

always had been.


that's what the world was there for.

why anything? suddenly johnny felt a great weariness - more than his usual day-to-day weariness.

he wished he had just taken care of doreen when he had seen her. it would have been just as easy then as now.

why had he given her a warning?

why did he always have to make things so difficult?

"buzzards circling in a red sky," said al.

"what?"

"buzzards circling in the red sky. you heard me the first time. red sky over the caravan of the cat-toad-queen on the road to the empire of dust…

primates dancing in the shadow of the abandoned gallows … centurions leaning on their spears … guard, whip that slave!… it's the old army game… stick around johnny, you are not really going anywhere… i'll even buy you another cup of coffee."


"buy me a rodeo chicken sandwich."

"sure. i'll buy you some fries too."

"thank you."

"see how easy that was? you didn't have to kill anybody. you didn't have to conspire against the universe. all you had to do was ask."

"i guess there must be a lesson there."

"there must be."

johnny looked out the window at the boulevard. the day was just starting to wane.

plenty of time to take care of doreen. if he even did.

the sandwich and fries this guy - probably a retired cop, or a guy writing a book - was going to buy him would cost almost half the eight dollars the fernwoods were going to pay him for doreen…

maybe with all the salt and fat and protein from this sandwich and the fries mr fernwood had so generously given him the night before he could get away from the city and make a clean break and start a new life …

but who was he kidding?

it was the old army game… now and forever…

"what did you say your name was?" johnny asked the guy.

"al."

"how about that rodeo chicken sandwich, al?"

al gave johnny a long hard look into what would have been the depths of his soul if he had one…

"i bet it's all coming back now, hey?"

"it will come back even faster when i bite into that sandwich…"

part 6




Sunday, March 30, 2014

it isn't only crocodiles that cry, part 4: meatballs in the back

original story by horace p sternwall

originally appeared in the may-june 1945 through the jan-feb 1946 issues of throat grabbing tales

adapted for the 21st-century by chuck leary and roger "peg leg" wilson

illustrated by danny delacroix and eddie el greco

part four of thirteen

to begin at the beginning, click here

for previous episode, click here







doreen was originally from nebraska.

if people asked her from where in nebraska, she would say "dinkville" or "hicksville" or "poopville" because she didn't want anybody to know exactly where.

she didn't want anybody to be able to track her down in case she had to lie low and wanted to go back where she came from and hide.

like most of her fellow humans, she was paranoid in some ways but totally didn't give a fuck in others.

this phenomenon has been called the "new bipolar brain" by some experts - as opposed to the old bipolar brain with survival on one side and religion on the other. or something like that.

but you already knew that.

but right now doreen didn't have any home town in nebraska to go back to anyway, because the only two people who had been connecting her to it - her mom, alison, and her younger brother keith - were here in the big city.


enjoying doreen's hospitality. until - ha ha ha ha - they found someplace better.

with the bag of groceries in her arms doreen kicked at the door. maybe one of the two morons inside would hear her and open the door.

more likely not. she had been through this before.

doreen was not the sharpest piece of glass in the gutter but she was einstein compared to the rest of her family.

that was not an opinion but a natural born cold hard fact.



nobody opened the door. doreen put the bag down, got her keys and opened the door, picked the bag back up and went inside.

keith was sitting at the table with buds in his ears looking at his phone. no surprise there.

alison was looking out the window.

"didn't you hear me?" doreen asked. not that she really cared.

"i was looking out the window."

"yes, i see that you are looking out the window. are you looking at anything out the window?" doreen put the bag on the table and keith took the buds out of his ears and started taking stuff out of the bag.


"i was watching to see if that guy came back."

"what guy?"

"that guy you were talking to."

"i was talking to a guy?"

"yeah, right outside. i saw you, don't try to deny it."

doreen thought for a second. "oh, that guy."

"yeah, that guy."

"he was nothing, just another creep."


"but what did he say?"

"i don't know, the kind of things creeps say - that he was the prophet, or he was the hand of fate, or some shit like that."

keith had taken all the stuff out of the bag. "where's the chef boyardee spaghetti and meatballs? i said i wanted chef boyardee spaghetti and meatballs!"

"they didn't have any," doreen told him. " i got lasagna instead."

"did you ask?'" keith persisted. "did you ask if they had any in the back?"

"fuck no, i didn't ask if they had any in the back. you'll live, if you have to eat lasagna. and i got some stuff for salad, too. you should start eating healthier."


"salad! salad! fuck that shit! are you trying to kill me? ma, she's trying to kill us!"

doreen laughed. "death!" she turned to alison who was still looking out the window. "that's what that guy said - he was death."

"you are death," said keith. "you and your salad."

"death! " cried alison. "you should be afraid." she kept looking out the window. "but he hasn't come back. yet. "

"he isn't coming back," doreen told her.


"if he comes back, " said keith, " you can invite him up for some salad."

doreen ignored him. "come on," she said to her mother, "you want to help me make the salad?"

"no, i'm too old to learn new things."

"go back to the store," keith said. "and ask them if they have any spaghetti and meatballs in the back."

"fuck you!" doreen grabbed him by the hair and tried to smash his face into the table. "i'm sick of your whining, o k? if you don't like what i buy, go get some money of your own and buy your own fucking spaghetti and meatballs! or anchovies or caviar or anything else you want, o k?"


keith twisted his head out of her grasp. "where am i going to get any money?"

"panhandle! when i was your age i'd put in a thousand hours of panhandling."

"i'd rather not do that."

"oh, i'd rather not do that!" doreen mimicked. " why don't you just grow up? and grow a pair."

"he's sensitive, doreen. like you used to be. some people just don't have it in them to do things like beg from strangers."

"maybe they better learn." doreen went over to a drawer and took out a small but sharp knife. "now if neither of you two parasites want to help me make the salad, maybe you can just sit quietly and not bother me while i'm working."


alison finally moved away from the window. "i can heat up the lasagna. i can do that."

"great." doreen took the tomatoes and celery and the big purple onion off the table in front of keith and carried them over to the small space between the sink and the microwave.

"i think maybe we should heat up both cans, don't you?"

"go for it." doreen started chopping up the celery.

"that onion is the most disgusting thing i ever saw in my life," said keith. "i ain't eating that. it looks like something that fell out of frankenstein's asshole."

"you'd eat it if it was cut up and cooked on top of a pizza."

"that's different!"


doreen didn't answer.

alison started opening the cans of lasagna. "do you think i should put them on a plate or in bowls?"

"they fit better in bowls and they don't spill all over the microwave," doreen told her.

"but they get hotter if you put them on a plate," said keith.

"thank you, julia child," doreen told him, "for your expert advice."


"i'm thirsty. don't you have anything to drink?"

"water. a whole fucking city reservoir full of water."

"i want some red bull."

"red bull." doreen started to laugh. "he wants red bull. i think it costs more than fucking heroin. is that the last fucking straw or what?"

"now doreen, you know he's just teasing you. you were the same way when you were his age."

"mm-hmm."


"we both really appreciate what you are doing for us."

"except mick wouldn't talk to us the way you do," said keith.

"mick!" doreen waved the little knife at him. "but fucking mick isn't taking you in, is he?"

"let's not bring mick into this," said alison. "let's just all be nice and enjoy a nice dinner."

alison and keith and mick and doreen were part of a world wide migration not only from the virtually obsolete "countryside" but from small towns and cities into a handful of mega-cities dotting the globe with consequences for the very nature of "humanity" which as yet are not even shadows on the walls of the future…

but you already knew that.

part 5